Big circle symbol. . The architecture of the museum is a collision between the old and the new: heavy textured concrete and light transparent steel and glass. From their exceptionally comprehensive response to our submission call and throughout the design process, BIG’s willingness to both listen to us and push us has conceived a project that celebrates our history and embodies the ambitious optimism that animates our academic mission. Through minimal means, BIG’s design created maximum functionality and architectural resonance. Throughout the building, warm wood cladding and concrete floors are accented with the school’s signature colors of red and gold. BIG has grown organically over the last two decades from a founder, to a family, to a force of 700. A plethora of in-house perspectives allows us to see what none of us would be able to see on our own. The BIG-designed interiors are designed to accommodate future scientific innovation, incorporating elements such as reconfigurable classrooms and modular seating. Our latest transformation is the BIG LEAP: Bjarke Ingels Group of Landscape, Engineering, Architecture, Planning and Products. When invited to design the 2016 Serpentine Pavilion, BIG decided to work with one of the most basic elements of architecture: the brick wall. ” BIG has grown organically over the last two decades from a founder, to a family, to a force of 700. Throughout the building, warm wood cladding and concrete floors are accented with the school’s signature colors of red and gold. Rather than clay bricks or stone blocks – the wall is erected from extruded fiberglass frames stacked on top of each other. 9c2agrvbjlvu4ubgwmp38gwlumfknnmjjkuteqyfx